Classical Piano
It’s never too late to play classics (Piano Solo) arr. Pam Wedgwood
It's never too late to play classics gives players the chance to explore 17 of their favourite classical repertoire in easy-to-play arrangements for both piano solo and duet. The pieces are suitable for those who have learnt for approximately one year, or have reached Level 14 of the It's never too late to play piano tutor, by Pam Wedgwood. The pieces are gently progressive, gradually extending players' technique through playing pieces they love!
The Easy Piano Series: Classical (Easy Piano)
The Library of Piano Classics
TOLL IN MOLL UND TOLL IN DUR: PIANO SOLO
At The Piano With Women Composers
This unique compilation of 18 beautiful pieces pays tribute to 13 of the world's greatest women composers from the Baroque to contemporary periods. Included are works by Amy Beach, Teresa Carreño, Cecile Chaminade, Louise Farrenc, Fanny Mendelssohn Hensel, Clara Wieck Schumann and Maria Szymanowska as well as pieces from relatively unknown composers, ranging in difficulty from intermediate to moderately advanced.
Bartok Mikrokosmos Volume 5
The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose. That is, to give the piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. The title Mikrokosmos can be interpreted as a series of pieces in many different styles, representing a small world. This edition has been written in English, French, German and Hungarian.
Bartok Mikrokosmos Volume 6
The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose. That is, to give the piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. The title Mikrokosmos can be interpreted as a series of pieces in many different styles, representing a small world. This edition has been written in English, French, German and Hungarian.
Beethoven Complete Bagatelles
Beethoven Ecossaises
Beethoven Fur Elise
There are probably very few Piano students who have not tried their hand at this piece; it is undeniably one of the most popular classical Piano pieces today. And yet unanswered questions still remain. They not only concern details in the musical text but also its famous nickname: Is “Elise”, the reading in the dedication in the autograph, even actually correct? Or should it read “Therese”? And whom might Beethoven have actually meant?
Beethoven Piano sonata no 21 – Opus 53
A further edition in Henle's highly regarded Beethoven revisions bears witness to their fruitful collaboration with the renowned artist Murray Perahia. This time the established editorial team Gertsch/Perahia has devoted itself to a truly monumental work: Beethoven’s famous “Waldstein Sonata” was composed in close proximity to the “Eroica” and the first sketches for “Fidelio”. The boldness of the first movement already surpasses anything that had been ventured up to that point. Beethoven dedicated it to his friend and patron Count Waldstein. As always, Murray Perahia not only provides valuable fingering suggestions but also shares his personal thoughts on this work in a short essay.
